Cyborg (1989) – Jean-Claude Van Damme

Cyborg is a Mad Max style post-apocalyptic action drama starring a young Jean-Claude Van Damme just one year after his breakout movie Bloodsport.

Due to the amount of pain & suffering depicted, including plenty of murder & torture, this movie could qualify as borderline horror. The most gruesome shots are omitted but there’s still enough unpleasantry to warrant a bit of fast-forwarding.

Van Damme plays a ‘slinger’ called Gibson who helps get people out of a ruined New York City. He stumbles across a female cyborg (a robotics-enhanced human, like Robocop without the strength & weaponry) played adequately by Dayle Haddon. She needs help getting to Atlanta to deliver vital information to doctors so they can make a cure for the plague that’s ravaged the world.

He also stumbles across another female, played terribly callously & nonchalently by Deborah Richter, with an outwardly-confident nervous twitch, not dissimilar to the demeanour of an adult industry worker – no surprise therefore that she has multiple scenes of nudity here. She tags along with Van Damme’s character because she’s otherwise quite helpless in this scary wasted world, plus she’s trying to convince him to help the cyborg deliver the cure to Atlanta.

Along the way, Van Damme’s character Gibson faces a ruthless gang of pirates led by a guy called Fender (played very convincingly by Vincent Klyn) who rejoices in misery and wants to own the cure for himself. The same guy also murdered Gibson’s family, so Gibson has a vendetta to fulfil.

Due to its originality and its frequent action, with a fair bit of quality, while being let down by plenty of slow scenes with empty filler content that ought to have been condensed out, and due to the overwhelming amount of horror genre infesting this movie, I rate it So-So / Lower-OK from a smooth action hero movie fan’s perspective. It’s more than Watchable, but only just.

Fun fact: this movie was put together using the sets & costumes of the abandoned Masters Of The Universe 2 plus an abandoned Spider-Man movie. Due to budget issues, those movies were scrapped even though a lot of money had already been spent on them, so they made this movie Cyborg to put those sets & costumes to good use and it turned out to be quite a hit – well played Cannon!

Blade (1998) – Wesley Snipes

Wesley Snipes is a top-tier action movie hero when given the right movie to work on, as we saw earlier in his career with Demolition Man and Passenger 57; and this movie brings out the best of him. Undoubtedly inspiring the Matrix to some degree, which came out the year after, with agents instead of vampires dodging bullets, and a team instead of a single man against them. Wesley Snipes has less of a cool ‘hacker’ feel than Keanu Reeves, but more of a convincing martial artist vibe about him, so this movie is very close to the level of the Matrix in terms of acting performance and convincing execution of plot. Wesley Snipes makes a very convincing animalistic/vampiric human being – his moves are sharp and slick, helped very much by great camerawork but also largely thanks to Wesley’s real life martial arts background and his general on-point demeanour.

It’s a very combat oriented theme, with fists and blades and guns from start to finish. Adrenaline is pumping intermittently throughout. Cast wise, we have the odd strong character and a few less strong – this movie could easily benefit from an additional very strong cast member if the plot would allow.

Blade is a rare example of a ‘vampire horror’ that appeals to people who prefer non-gritty, fast-paced, martial-arts-packed action movies that thrill rather than scare. I don’t personally enjoy horror movies, but this one’s just about bearable as it’s more of an action thriller than anything, however, it becomes a bit more sickly when you realise how closely it resembles what really goes on in this world.

Like The Matrix, Blade also has a couple of sequels, which is inevitable considering how strong the original movie was; and like The Matrix, Blade’s sequels are not quite as good as the original but are still worth watching sequentially.