This movie kicks off with some terribly tedius non-plot quasi drama scenes that attempt to build backstory but are executed in a seeminly intentionally messy muddled way.
Within 10 minutes, things start to get real, as Liam Neeson‘s NPC type character gets a rude awakening in the form of an unexpected termination from work. But the movie goes straight back to muddled drama mode.
20 minutes in, it starts to get interesting, as Neeson’s character meets a strange woman who sets him a challenge with a large cash prize, and the core concept of this movie begins to reveals itself.
Around half way in, Neeson’s character gets framed for the murder of an FBI agent, all the while staying on a commuter train where he’s been for most of the movie already. At this point, this movie looks set to be rated Watchable – no more, since the first half has been so boring with such little going on. Sure, there’s a vibe of mystery among the semi-helpless angst but that’s literally the entire movie thus far summed up already, so it’s not a great fit for an action hero movie fan but not completely off the mark either.
Unfortunately, this movie doesn’t get any better until the last half hour. The angty stress & tension takes a long time to subside. It turns into a bit of a horror train ride in the secod half, and takes forever to let up. It’s a very one dimensional movie in this respect, and falls short of the ideal vibe us action hero movie connoisseurs are most interested in. But it’s not completely off the mark – Neeson still plays a bit of an adept hero – kind of. He especially comes into his own in the last half an hour, when he takes the lead and starts telling everyone on the crashed train what to do, to help them survive. From that moment on, he gets more dominant as the movie goes on, until in the closing scene he’s full re-instated as a cop and re-finds the woman behind the phonecalls.
In the end, I rate it So-So. A couple levels down from Bang Average, and just a few levels up from utterly Unwatchable. But this doesn’t mean you can’t enjoy it at all – it’s still a level above Watchable.
Although it stars a celebrity of massive Star Wars fame in Daisy Ridley, this movie sits somewhere between Hollywood and B-movie level. It reeks of indie-level production. It seems like a British production with mostly sub-par acting. The camerawork ranges from not bad, to annoying – there’s too often too much zoom on emotional faces doing bad acting, which makes for an uncomfortable viewing experience at times.
The plot starts gaining momentum from around half an hour in, when a building gets hijacked. Prior to that it’s little more than irritating drama. Once it warms up, the action is a bit thin, and drama is a bit OTT, and the quality of acting is mostly weak. Daisy Ridley’s character doesn’t actually enter the building to properly tackle the baddies until 45 minutes later. That’s a massive fail of this movie, from an action hero movie point of view – how the lead star never actually gets inside the building to properly fight the baddies until the last 20 minutes of the movie! What a non-descript drama-fest.
The autistic guy namedropped Piers Morgan a few times, including asking “what would Piers Morgan do”, which makes me think he may have personally sponsored this movie in an attempt to improve his own public image.
I rate this movie Barely Watchable. It’s several levels down from Bang Average, and just one level up from Unwatchable. I’m really surprised to see Daisy Ridley get involved with of movie of this calibre. Maybe she’s struggling to find work these days. Maybe she’s being blanked by Hollywood for walking away from their darker antics – if ever I found that to be the case, she will have earnt my respect, but as it stands, this movie is bad – real bad, and barely watchable at the best of times. I honestly recommend just giving it a miss – it’s a desperate waste of time unless you’re tragically bored stiff already. Would you believe it actually had a Box Office release, grossing over 1 million dollars? It even had a budget of 25 million dollars – I wonder where that money went. Maybe this movie was really just a money laundering exercise. They successfully managed to make nearly 24 million bucks disappear. I almost feel embarrassed for wasting my time sitting through this movie and taking the time to review it on this site. The things I do so you don’t have to!
Captain Marvel is an OK modern Marvel movie. It’s not very well made, but it’s not very poorly made either.
It’s got subtle and not-so-subtle undertones of a girls’ girl theme, but this doesn’t massively detract from the core plot or action scenes so it’s tolerable for those whose cup of tea it is not.
The action ranges from so-so to pretty good, and although its best scenes have most of the constituents of an awesome experience, they falls short of what the best Marvel movies have managed to achieve (both in action and in drama). The best action scenes, while still pretty good, are a bit limp and end up being a bit of a sissy version of what they could be.
The plot is fairly enjoyable when you’ve not seen it in a few years.
Brie Larson plays the main character, Captain Marvel, born as Carol Danvers and renamed Vers by her kidnappers who may have also wiped her memory. Her acting is alright but nothing special.
Samuel L Jackson plays the next main role, as Nick Fury, a senior agent of SHIELD and as Earth’s main liaison for Captain Marvel – initially trying to arrest her, then eventually helping her when he realises his own agency has been hijacked by the alien race who he initially thought were the enemy but eventually discovered were the good guys. Samuel does a good job and kind of saves the show from what would otherwise be little more than a poorly made, uncoordinated in drama interspliced with mediocre action, only a few scenes of which are sort of good.
Lashana Lynch plays Maria Rambeau, the tomboy-type forgotten ‘best friend’ (and maybe more) of Carol Danvers aka Captain Marvel. Her acting doesn’t impress me.
Ben Mendelsohn plays Talos (the shapeshifting alien) and Keller (the agent who Talos impersonates, who is Nick Fury’s boss). He does a so-so job.
Jude Law plays the main antagonist in the second half of the movie, who initially appears to be a good friend of Vers – her senior comrade, supervisor and training partner (and secretly the guy who originally kidnapped her, before her memory were wiped). Jude does a decent job here, and significantly helps to make this is kind of respectable movie.
The main antagonist at the very end, who Jude Law’s character answers to, is Ronan (played by Lee Pace although you can’t really tell who it is behind the CGI, mask, outfit, makeup, etc). Ronan was the guy who served under Thanos in Guardians Of The Galaxy (2014) before going rogue when he acquired an infinity stone and became the most powerful man in the universe and the main antagonist of that movie, until the Guardians took the stone back. He’s a cool character and wields hammer a bit like Thor.
Djimon Hounsou and Gemma Chan play members of Jude Law’s team – initially comrades of Vers (Captain Marvel). They add value. They’re at least as good as Brie Larson.
Annette Bening with weird contact lenses plays the AI character who helps to deceive & control Vers – modelled on Carol’s forgotten friend, a renegade pilot who developed the technology that gave Captain Marvel her superpowers when it crashed (shot down by Jude Law’s character, who also killed Bening’s character, kidnapped Carol and wiped her mind).
Clark Greg plays Agent Phil Coulson from SHIELD, working under Nick Fury. He’s a good character but only has a very minor role here – I’d be pleased to see him in a bigger role.
This was a pretty good action movie in the 90s. It has an interesting core concept and some entertaining scenes. Some good action and some good humour. But the action does get a bit monotonous at times – some of the action scenes could do with condensing.
Sylvester Stallone plays the policeman, Sandra Bullock plays his partner on the force, and Wesley Snipes plays the outlaw they’re trying to apprehend. They all do a decent job but are working with a fairly mediocre script here, even though the core concept is quite creative. In fact it might not be creative at all – it might just be a sneak preview of what’s really on its way, since many of the strange futuristic concepts in this movie are already half way standardised in the real world today. Having said that, after a long, over-extended, thinly-spread monotonous action scene near the end, the very ending of this movie is actually quite a pleasant one as the friendly/draconian society returns to time more tolerable and everyone left alive gets along just fine with the saviour/dictator gone and his mercenary too.
Overall I rate it an (upper) OK movie, considering its quality & density of entertainment value for action movie fans.
Based on a trilogy of books by Veronica Roth, the Divergent movie trilogy is a set of dystopian action-drama thriller movies that mirror certain real-world plans & activities so accurately that it makes you wonder who wrote it and how much inside information they are privy to – given the name & heritage of the author I think it’s clear already.
Plot-wise, Divergent has flavours of The Matrix, mixed in with The Maze Runner, mixed in with some kind of teen drama series.
20 minutes in, there are a couple of things I don’t like. 1: explicit depictions of people cutting themselves with a dagger in order to drip blood in some kind of ritual. 2: the idea that institutional rituals are important enough to instantly & permanently separate close family members. The first, I look away from, repeatedly, until it stops happening. The second, I find even more disgusting, considering how it represents the level of power over family units that real world megalomaniacs have long been working towards obtaining.
Cast members
The movie continues with training scenes and bonding between the two lead characters played by Shailene Woodley and Theo James (full name Theodore Peter James Kinnaird Taptiklis). Both of them are satisfactory in their acting ability, while Shailene seems like a very ordinary butch-ish female, and Theo has massive star power – I can only assume the reason he’s not a much bigger star is because there are certain depraved things he has refused to do, so wasn’t invited into ‘the club’, although maybe the creeps of Hollywood are still trying to lure him in since he starred in a Guy Ritchie led action comedy drama series for Netflix (called The Gentlemen) as recently as 2024.
The chief baddie in this movie is played quite well by Kate Winslet (of Titanic). Aesthetically, she kind of resembles Veronica Roth – the author of the book series that this movie was based on – they could easily be sisters.
Other actors who made an enjoyable contribution to the Divergent movie trilogy include Zoë Kravitz who plays one of the main group of friends in all three movies; Maggie Q who plays a helpful senior figure in all three movies; Daniel Dae Kim who plays a classy advocate of honesty in all three movies; Jeff Daniels who plays the main baddie in the third movie (Allegiant, 2016); and Bill Skarsgård who plays a helpful assistant of the main baddie in the third movie. They all did a good job.
Incidentally, Bill Skarsgård looks like he could be the son of Steve Buscemi even though his official father is Stellan Skarsgård who looks nothing like him. Bill looks much more like a cross between his mother and Steve Buscemi. Typical Hollywood shenanigans! Have you seen how strongly Cameron Diaz looks like a daughter of Dolph Lundgren? Anyway, back to the Divergent trilogy…
Other supporting actors were generally adequate although not always to my taste, and this may have been quite necessary in order to find people properly suited to their roles which all involved a mix of goodness and badness in their own ways.
The Five Factions
The backstory, explained at the start of the first movie, Divergent (2014), says that after a big war, society was divided into five groups called ‘factions’. These factions are Erodite (intellectuals), Amity (farmers; kind, harmonious & happy), Candor (honest to a fault; seeking order), Dauntless (police & soldiers – admired, brave, fearless, free & wild), Abnegation (nicknamed Stiffs; simple-living selfless altruistic politicians). There are also the Factionless (who are homeless, dirty & depressed), and then there are some Divergents (who possess traits of multiple factions – they are feared & hunted by the people in power).
It’s an intriguing catchy concept, isn’t it? Because it resembles the real world, in a way. It resembles Wang FengYi’s analysis of the five types of people in society, which he associated with the five key religions in China in his day, as well as five key professions, etc. But trust Ms Roth and/or Hollywood to make a few changes. Here’s the most glaring inconsistencies with Wang FengYi’s observations…
The Amity faction is inaccurate according to Wang’s model, because he said Farmers tend to be the Daoists, and they tend to be expressionless – not acting happy. Daoists limit their kindness too, so as not to exhaust themselves, so they always have the ability to be a somewhat helpful to anyone who asks. Meanwhile, regular giving is a tenet of Muslims more than anyone, and according to Wang’s model, and they tend to be Scholars rather than Farmers – so the most kind (over-kind) people should be Erudite based on this theory. Plus, Daoists are also the ones most obsessed with Honesty according to Wang, but they reject obsession with Order – they appreciate order has its place but only in the simplest way, and are mostly fond of natural rhythm – so the Candor faction isn’t accurate either.
Don’t get me started on the Dauntless faction – the police & soldiers of today may be admired by some, but they’re no less despised by others. In a corruption-free world, the idea of them being admired may be fitting, but in today’s world that’s a biased perspective to say the least. Being a copper or a soldier also means being extremely disciplined & controlled – hardly the fun free-spirited daredevil vibe pushed by this movie, but of course Hollywood is doing what it can to boost public support and enrolment for these jobs.
As if that wasn’t bad enough, Abnegation is even worse. Since when were politicians ever simple-living selfless altruistic people? In a non corrupt society they would probably be this way, but in the world we live in today, this character description couldn’t be much further from the truth.
In summary
I think Divergent (2014) has a fairly good flow of plot, and a fairly good flow of entertainment value. It’s generally a cool concept albeit a twisted version of the even cooler truth. It’s got a fine balance of action and drama, although any more drama and it would be a problem for those who prefer smooth action hero movies that stay within their genre (like myself).
Overall I rate this movie as Pretty Good, on a par with movies like Wanted and Ghost In The Shell. In fact Wanted is a great comparison because it has a similar ratio of action to drama, and is similarly led by a mediocre primary lead actor (James McAvoy) and a stunning secondary lead actor (Angelina Jolie) just like this movie was with Shailene and Theo.
Sequels
The first sequel to Divergent (2014) is Insurgent (2015). It’s a lot more one dimensional, with more drama and less creative action than the original, but still has a basic level of quality and plenty of good bits throughout, plus it has a great ending. This sequel focuses, from the outset, on tracking down Divergents for the purpose of using them to unlock a message from society’s founders. The same protagonist pair from the original, work to avoid capture, and join forces with the Factionless underworld, but eventually give themselves up to the antagonist – again played by Kate Winslet like in the original. You could easily join these two movies together, and watch them both on the same day, or on subsequent days, and treat them as one very long movie, with a less entertaining second half but a great ending. I would rate the sequel as a couple of levels below the original due to the lack of plot & script compared to the original, but it’s still an OK movie – it’s not bad – it’s more than watchable.
The second sequel – the threequel – the third movie in the trilogy – is called Allegiant (2016) which has even more soap opera style drama than Insurgent, and sees the main crew escape to the civilisation outside the wall and learn what’s really going on. With all its drama, Allegiant still has a fair amount of action, and follows on from the story so far established, so it’s not a bad movie to watch straight after the last two. I would rate Allegiant about equal to Insurgent. It’s just about an OK movie in its own right but isn’t really meant to be watched in isolation – it really ought to be watched straight after the last two for adequate familiarity with the backstory.
All three movies were released from 2014-2016. All based on books by Veronica Roth, and all contain the same pair of lead as actors as well as many of the same supporting actors. Plus each sequel roughly continues from the script of the movie that came before it, so it’s easy to treat this series of movies as one long movie, or a Netflix series, and watch them all sequentially for a solid 6+ hours of mild sci-fi action-drama entertainment.
This movie was made shortly after The Matrix came out breaking all kinds of records, and seemed to try to copy its style, with slickly-dressed plain-faced agents dropping guns from their sleeves and shooting guns from exotic martial arts stances as if performing a wushu demo. But it’s not just a corny ripoff; this movie has a quality of its own. Particularly appealing to people with an interest in the plight of a freedom-fighter movement against a hi-tech draconian police state. Like The Matrix, this movie is more of a sci-fi than a martial arts flick, but still contains plenty of fast-paced skilled combative action including empty-handed fighting, samurai swordsmanship and guns ablazing in ‘bullet time’.
Plotwise, Equilibrium basically follows the plight of the highest-ranked, most-skilled assassin from the government’s elite hit squad, from initially callously killing anyone he’s ordered to kill, to eventually becoming leader of the rebellion and overthrowing the evil dictator. It’s not too heavy on the plot so not a movie for drama lovers but has the balance just right for those who prefer adrenaline-rich action and steer clear of gritty drama. With a likeable lead character, entertaining techniques, strong scenery and a simple but powerful story, this movie makes an impact, scoring 8.5/10 for my taste.
Cast wise, there are some strong performances, and some less strong. Christian Bale is a convincing lead, albeit not a massive star, and Sean Bean adds a lot of value to this movie too, like he always does.
This quality of movie simply cannot exist without high budget, great lead actors and a lot of love & dedication by the writers, producers and some supporting cast.
The Matrix is an action-packed, convincing sci-fi thriller with a significant element of martial arts although not performed by martial artists – it’s all about the acting, stunts and special effects here. From instant (computer-assisted) learning of kung fu and other martial arts which are exhibited with great camerawork, to the eccentric use of guns and stunts – this movie is a great example of what can happen when people make a real effort and don’t cut corners in producing a movie that was cutting edge for its time.
A cool plot involving hacking and conspiracies make this sci-fi both believable and doubly entertaining. This is a classic performance by Keanu Reeves, who has made many great action movies, including several John Wick movies more recently, but The Matrix saga stands out as something extra special to Keanu and to his fans who constantly remind him of it. It has transcended the movie industry, especially in recent years where conspiracies abound.
Due to the overall quality of acting and production, I give this movie a 9.5/10 – to get a perfect 10 it would probably need a more genuine representation of great martial arts training exercises, and it would need a deeper, broader or generally more significant base of philosophical teaching behind the movie. These are of course both areas this movie has significantly worked on, I just think it’s still lacking something in these departments.
Still, it’s an excellent movie as it is, from start to finish, and the only real disappointment is how its inevitable sequels don’t manage to maintain the standard set by the original although they are still well worth watching sequentially, but sometimes you might still want to enjoy the original by itself.
It’s not so easy to rewatch every year like Bloodsport is, but what it lacks in sustained comfortable vibe, it makes up for in frequently cutting-edge features. The Matrix has more of an intermittently chilling vibe – it’s not the same genre as Bloodsport and doesn’t try to be – they are both masterpieces in their own niche genres. Like apples & pears, they can’t easily be compared. When asked what’s my favourite movie, I tend to say Bloodsport for simplicity and to avoid pushing something that I have mixed feelings about, but in an objective transparent assessment I can not say it’s definitely any better than The Matrix – I rate them both about equally and can not choose a clear favourite between them.
The Matrix is packed with action in all its forms, with a few drama-ish scenes between. It includes a bit of fighting, a bit of running, a lot of shooting, and there’s a strange kind of war going on. The plot is almost confusing, but it kind of works and has become a massive cult classic. The cast includes several strong performances and a few less strong.
