Theme: Awakening

Unknown (2011) – Liam Neeson and Diane Kruger

This movie is a bit depressing to begin with. In the first half an hour, Liam Neeson‘s character, Dr Martin Harris, gets ruined by a car accident that all coincides with an elaborate scheme to steal his identity that even his wife plays along with, and this situation somehow manages to gaslight him into admitting that he’s not really who he says & knows he is, after only a few minutes of argument – or so it seems, until we see it was just an excuse to avoid arrest. But then by 35 minutes in, he seems truly gaslighted – even calling himself insane and asking a doctor for help, who only gaslights him further and drugs him up, which is sad to see but is an accurate reflection of how such a person is likely to be dealt with by such an other person in the real world.

Some folks might think this movie were commissioned to scare people into getting maximum IDs & verifications, in theory for their own protection, but in fact making them most easily scrutinised & controlled. The caving in to gaslighting, and the medical preprogramming, probably appeal to the same sponsors too; as does the GMO promotion at the very end, which I would say is quantity-minded and quality-ignorant on top of short-sighted – but that’s just a bluff – these folks know what they’re doing and it’s quite nefarious.

Fortunately, the real action picks up by 40 minutes in – if it didn’t get going soon, this movie wouldn’t appeal much to action movie fans like those who enjoyed Neeson’s performance in Taken (2008). Bearing in mind this movie was made prior to Taken 2 (2012).

In the end, Unknown (2011) paints a powerful but depressing story. It has some good acting, some good action and some good plot substance, but is still a bit thin on all these fronts, and it’s a bit heavy on dispiriting drama and the BS pushing, so for conscious connoisseurs of slick action hero movies, I have to rate this one Below Average at best. About equal to Taken 2 which was released just 1 year after this one and was pushing a similar amount of BS but of a different sort.

Diane Kruger does a decent job in the main supporting role here – as a woman called Gina who drove the taxi that crashed, then saved Dr Harris’s life, then when he found her again, she helped him some more, and they became quite close. She’s not a bad actress here – she helped make the movie what it is. Several other decent actors contributed too, but didn’t get so much screen time.

There’s an interesting plot twist half an hour before the end, which explains where Dr Harris’s combat skills come from, but it’s not until the final few minutes of the movie when he gets more of his memory back, that he really becomes an omnipotent fighting machine reminiscent of Liam Neeson’s performance in Taken.

Mortal Kombat (2021) – Lewis Tan

Mortal Kombat (2021)

This movie gets off to a dark, gritty start that’s quite hard to watch; but this may be a necessary evil to build up towards what happens later in the movie. It’s definitely focused more on the gritty side, than the coolness, compared to the original, but it makes use of modern sound and visual effects for a deeper impact than the original movie from 1995 which was very cool but lacked seriousness, depth & grounding. This movie has a generally higher quality of production than the original, even if a less cool plot, and it has a higher quality of acting generally, even if the characters are less funky. Overall there’s a much more serious tone this time round, but that doesn’t mean it lacks cool effects, it’s just very careful and conservative with their use, and makes a real statement any time the special effects come out.

Throughout the first half hour this movie’s plot develops nicely – it gets increasingly intriguing and you end up kind of hooked. By 25 minutes in, things have become quite clear – we can see who the star of the show is, and some of the other main characters, and what general direction the movie is taking.

45 mins in, things get a bit dark & depressing again. The dark patches continue to be mixed in with uplifting elements for a good half an hour until everyone fights and the lead character’s powers come out for the first time, which is closely followed by the same thing happening to his comrade Jax, then things start to get quite exciting again. The lead character in this movie is not Liu kang this time, although he is a major supporting character here. The lead character this time round is Cole Young (played quite well by Lewis Tan) – a descendant of Scorpion whose entire bloodline was thought to be killed by Sub-Zero but one baby remained, looked after by Raiden, then Scorpion came back from the dead to help his descendant defeat Sub-Zero in the 90th minute, helping to create an epic final battle.

The cast is comprised of a mix between strong, weak and mediocre actors. Strong actors here, aside from Lewis Tan in the lead role, include Joe Taslim playing Sub-Zero very well, and Hiroyuki Sanada playing Scorpion quite well too. Josh Lawson also does a decent job as Kano, and Mehcad Brooks is not bad in the role of Jax.

Raiden (leader of the good guys), Shang Tsung (leader of the bad guys), Liu Kang (good guy) and Sonya Blade (good girl) are all key characters here too, but their respective actors didn’t impress me. Random stuntmen could have probably done their jobs just as good if not better.

Considering its strengths and highs, I’m going to rate this movie generously, scoring it Pretty Good, which puts it a couple of levels above the original – a serious accomplishment. Now imagine if the four key characters listed above had much stronger actors playing those roles – I’d have to rate it even better, and it would be pretty close to the level of the best action movies ever made.

Captain Marvel (2019) – Brie Larson and Samuel L Jackson

Captain Marvel (2019)

Captain Marvel is an OK modern Marvel movie. It’s not very well made, but it’s not very poorly made either.

It’s got subtle and not-so-subtle undertones of a girls’ girl theme, but this doesn’t massively detract from the core plot or action scenes so it’s tolerable for those whose cup of tea it is not.

The action ranges from so-so to pretty good, and although its best scenes have most of the constituents of an awesome experience, they falls short of what the best Marvel movies have managed to achieve (both in action and in drama). The best action scenes, while still pretty good, are a bit limp and end up being a bit of a sissy version of what they could be.

The plot is fairly enjoyable when you’ve not seen it in a few years.

Brie Larson plays the main character, Captain Marvel, born as Carol Danvers and renamed Vers by her kidnappers who may have also wiped her memory. Her acting is alright but nothing special.

Samuel L Jackson plays the next main role, as Nick Fury, a senior agent of SHIELD and as Earth’s main liaison for Captain Marvel – initially trying to arrest her, then eventually helping her when he realises his own agency has been hijacked by the alien race who he initially thought were the enemy but eventually discovered were the good guys. Samuel does a good job and kind of saves the show from what would otherwise be little more than a poorly made, uncoordinated in drama interspliced with mediocre action, only a few scenes of which are sort of good.

Lashana Lynch plays Maria Rambeau, the tomboy-type forgotten ‘best friend’ (and maybe more) of Carol Danvers aka Captain Marvel. Her acting doesn’t impress me.

Ben Mendelsohn plays Talos (the shapeshifting alien) and Keller (the agent who Talos impersonates, who is Nick Fury’s boss). He does a so-so job.

Jude Law plays the main antagonist in the second half of the movie, who initially appears to be a good friend of Vers – her senior comrade, supervisor and training partner (and secretly the guy who originally kidnapped her, before her memory were wiped). Jude does a decent job here, and significantly helps to make this is kind of respectable movie.

The main antagonist at the very end, who Jude Law’s character answers to, is Ronan (played by Lee Pace although you can’t really tell who it is behind the CGI, mask, outfit, makeup, etc). Ronan was the guy who served under Thanos in Guardians Of The Galaxy (2014) before going rogue when he acquired an infinity stone and became the most powerful man in the universe and the main antagonist of that movie, until the Guardians took the stone back. He’s a cool character and wields hammer a bit like Thor.

Djimon Hounsou and Gemma Chan play members of Jude Law’s team – initially comrades of Vers (Captain Marvel). They add value. They’re at least as good as Brie Larson.

Annette Bening with weird contact lenses plays the AI character who helps to deceive & control Vers – modelled on Carol’s forgotten friend, a renegade pilot who developed the technology that gave Captain Marvel her superpowers when it crashed (shot down by Jude Law’s character, who also killed Bening’s character, kidnapped Carol and wiped her mind).

Clark Greg plays Agent Phil Coulson from SHIELD, working under Nick Fury. He’s a good character but only has a very minor role here – I’d be pleased to see him in a bigger role.


Universal Soldier: Day Of Reckoning (2012) – Scott Adkins

The last Universal Soldier movie had shades of B movie quality, but this one takes it to another level. It’s got really bad POV camerawork for a start – not a million miles from Scott Adkin’s barely-watchable zero-budget movie One More Shot.

While the last movie never caught fire but dwindled in an area that made us think it could be about to catch fire; this movie doesn’t even hit that spot – the whole thing is flat from start to finish, making it a chore to watch, and that’s saying something coming from someone who is such a fan of this genre that I made a website dedicated to it.

Some of the action scenes are so mixed up with CGI they look cartoony.

Some of the concepts are pretty cool, kind of like waking someone up in The Matrix, but when white noise is the favoured sound effect and flashing light is the favoured visual effect, it couldn’t have been executed much worse if they tried.

It gets a bit gruesome too, when explicitly chopping off bodyparts with an axe.

It gets slightly interesting around half way through, as Scott Adkins’ character starts digging into his past, trying to remember who he was, what he did, and who his family’s murderer is. But it’s still very cold and disjointed – I can’t rate it any higher than barely Watchable. It was really a chore to watch this far – I only did it for the benefit of this review.
Scott Adkins’ first serious fight scene, a little over an hour into this movie – after the car chase – started off boring, but it soon got tasty when it became apparent that Adkins’s character is a far superior fighter to the most modern UNISOL – the main antagonist – from the previous movie, played by Andrei Arlovski. Does this mean Adkins is in fact the best of all the UNISOLs? Is he capable of beating the whole crew including Van Damme? Now it’s getting slightly interesting – just a shame we’re already an hour in and have had to endure a barely watchable movie up until this point. The back end of the movie is more comfortably Watchable, pushing on So-So, but still quite cold & gloomy.

Scott Adkins is the main character in this movie. He’s the main protagonist. After him, Jean-Claude Van Damme appears to be the main antagonist, for most of the movie, although he may actually be a good guy. He doesn’t get much screen time, but is still one of the main characters after Adkins. Andrei Arlovski also gets a fair amount of screen time as the main active handyman working for Van Damme. Dolph Lundgren also makes a few appearances – he appears to be second in command of the guys working in Van Damme’s crew of freed UNISOLs. You may have also noticed Roy Jones Jr – possibly the greatest boxer of all time (in the TV era, under Queensberry rules) – having a scrap with Andrei Arlovski in the UNISOL mess hall. After getting beaten up by Arlovski, then pummelled by the whole crew, Van Damme steps in and shoots him dead. Honestly, I thought I saw him, but then I thought that’s not possible – then I saw the rolling credits at the end and yes, it really was him. That’s probably the coolest thing about this movie.

In summary, I’m going to rate this movie Watchable, owing to its So-So second half. I’m being a bit generous with the rating here, because the first half is probably best described as Unwatchable, so it seems a bit unfair to the other movies rated Watchable which are a bit better than this one, and the other movies rated Unwatchable which are really no worse than this one, if focusing on the first hour. The second half is really its saving grace, and is my only excuse for rating this movie Watchable.

The Matrix Resurrections (2021) – Keanu Reeves

This is the fourth instalment of The Matrix, which waited 18 years since the trilogy came out in 2003, so understandably some of the old characters are missing or replaced (Morpheus is no longer played by Laurence Fishburne, and Agent Smith has changed face) and those actors who returned are much older now – Neo (Keanu Reeves) and Trinity (Carrie-Anne Moss) are now both in their mid 50s, pushing near 60, which makes their romance a bit less glamorous to say the least. Still, Keanu and Carrie-Anne did alright, and Jessica Henwick (of Marvel’s Iron Fist) makes a very refreshing addition to the cast – she’s probably the best thing about this movie. There’s even a small role for Priyanka Chopra – she did alright too.

Jada Pinkett’s role as the elderly leader of the new city was not so fun – her face was covered in a disgusting looking mask to age her, and her attitude was grossly callous with a false sense of nobility.

The writers seem to have got carried away with psychology this time, and the fight scenes are less succinct here. Replays from previous movies are abundant. Neo can’t fly anymore but is throwing chi balls like there’s no tomorrow. There’s also a strong zombie horde theme, like so many movies released around the same year (representing the rumoured side-effects (or primary intended effects) of something people started adding to their bloodstream since late 2020 / early 2021).

All in all, The Matrix (IV) Resurrections deserves a 7/10 for my taste, since it’s fairly watchable and mildly entertaining. This movie is several levels below the original. Still, there is a fair amount of the good stuff that you’d expect from any Matrix movie. Best viewed soon after seeing the original movie, or after watching the entire trilogy that precedes it.

The Matrix (1999) – Keanu Reeves

The Matrix poster

ACTION BUSYNESS ⭐⭐⭐⭐⭐
MOOD SETTING ⭐⭐⭐⭐⭐
SCRIPT COHESION ⭐⭐⭐⭐
PLOT DENSITY ⭐⭐⭐⭐⭐

This quality of movie simply cannot exist without high budget, great lead actors and a lot of love & dedication by the writers, producers and some supporting cast.

The Matrix is an action-packed, convincing sci-fi thriller with a significant element of martial arts although not performed by martial artists – it’s all about the acting, stunts and special effects here. From instant (computer-assisted) learning of kung fu and other martial arts which are exhibited with great camerawork, to the eccentric use of guns and stunts – this movie is a great example of what can happen when people make a real effort and don’t cut corners in producing a movie that was cutting edge for its time.

A cool plot involving hacking and conspiracies make this sci-fi both believable and doubly entertaining. This is a classic performance by Keanu Reeves, who has made many great action movies, including several John Wick movies more recently, but The Matrix saga stands out as something extra special to Keanu and to his fans who constantly remind him of it. It has transcended the movie industry, especially in recent years where conspiracies abound.

Due to the overall quality of acting and production, I give this movie a 9.5/10 – to get a perfect 10 it would probably need a more genuine representation of great martial arts training exercises, and it would need a deeper, broader or generally more significant base of philosophical teaching behind the movie. These are of course both areas this movie has significantly worked on, I just think it’s still lacking something in these departments.

Still, it’s an excellent movie as it is, from start to finish, and the only real disappointment is how its inevitable sequels don’t manage to maintain the standard set by the original although they are still well worth watching sequentially, but sometimes you might still want to enjoy the original by itself.

It’s not so easy to rewatch every year like Bloodsport is, but what it lacks in sustained comfortable vibe, it makes up for in frequently cutting-edge features. The Matrix has more of an intermittently chilling vibe – it’s not the same genre as Bloodsport and doesn’t try to be – they are both masterpieces in their own niche genres. Like apples & pears, they can’t easily be compared. When asked what’s my favourite movie, I tend to say Bloodsport for simplicity and to avoid pushing something that I have mixed feelings about, but in an objective transparent assessment I can not say it’s definitely any better than The Matrix – I rate them both about equally and can not choose a clear favourite between them.

The Matrix is packed with action in all its forms, with a few drama-ish scenes between. It includes a bit of fighting, a bit of running, a lot of shooting, and there’s a strange kind of war going on. The plot is almost confusing, but it kind of works and has become a massive cult classic. The cast includes several strong performances and a few less strong.