Death Race 3 (2013) – Luke Goss

Continuing the theme of jumping straight into madness out of nowhere and staying on the same busy note for a long time, as was the start of the second hour last time round, this movie does much the same thing but gets going within the first 15 minutes. It continues on from where the last one left off, with some time skipped between them, and has much the same cast as the last one, including Luke, Katrina, Goldberg, Lists, K14 and Weyland (Ving Rhames), and of course Luke Goss.

From extremely choppy camerawork during combat scenes, to seemingly zero script power, this movie is Barely Watchable — that’s a couple of levels even further below Death Race 2 — and it’s only watchable if you’re really desperate and only due to the So-So cast and Decent genre. Personally, I fast-forwarded through most of the start, watching only the better bits, then skimmed past the rest and decided to give it a miss because I’ve got better things to do.

I also skimmed through Death Race 4 and it looked even worse — no wonder Luke Goss didn’t even care to come back for that one! Oh how far has this saga has descended since Statham’s cool original!

Death Race 2 (2010) – Luke Goss, Sean Bean, Ving Rhames and Danny Trejo

This is more of a remake than a sequel. Nothing really continues from the original. It’s not an identical copy, but some particular scenes are pretty much identical (with inferior execution of course).

As expected by the promotional material and the level of the lead cast members, this movie has a considerably cheaper vibe than the original — especially on the cinematography front — but surprisingly the acting is pretty good and the movie does very well at keeping the pace going fast enough to sustain an entertaining vibe. Credit to Luke Goss who performs out of his skin, backed by supporting cast members like Sean Bean, Ving Rhames and Danny Trejo who action fans will be familiar with from other movies and are all about as big & strong in action movie stardom as Luke Goss, if not bigger, so he’s done well to score them in his supporting cast and the producers have done poorly in not making him also just a supporting cast member for someone markedly stronger — maybe they had Statham in mind for Goss’s role here until Statham turned it down.

There are a couple of minor returning characters from the original, although one of them was killed last time round: 14K (meant to be dead) and the nerdy fat white guy who worked in Statham’s car crew.

The cheapness of this movie is telling throughout, but the pace does well to make it tolerable, however when it gets to around an hour in, when the prisoners get acquainted with their vehicles and begin racing and killing each other all in one fast paced long monotonous scene, the cheap & nasty level of this movie really peaks. The original never would have overwhelmed us like that, which only resulted in a kind of boredom due to constant hollow action after a shocking burst of pace. The original would have been much more conscious of momentum and would have considered the execution of this one comically bad. From the start of the second hour it becomes tempting to fast forward through a lot of the hollow action. And although there are a couple of in between scenes and minor plot developments, it pretty much doesn’t let up with the shallow monotonous racing drama from the start of the second hour until the end. The first hour was the good part of the movie, the second is wildly all over the place and has entirely lost focus.

It’s not until the last quarter hour when we learn that this is actually a prequel to the original, since Luke Goss gets burnt to a crisp and becomes the original Frankenstein racer who was already 4 wins in at the start of the original movie. From here, the last 10 minutes are actually pretty good. It’s just a shame we had to sit through (or skip) the previous half an hour — the main course of the movie.

All things considered, I rate this movie So-So — that’s around a couple levels below average, and about 4 clean levels below the original. But it’s not worthless — it’s mostly watchable, and mostly mildly entertaining if you’re terribly bored and have not seen it before or in a long time at least.

Tekken (2010) – Jon Foo, Ian Anthony Dale and Cary-Hiroyuki Tagawa

This movie begins looking like a poor level of production, as it starts to build the backstory of the dystopian world where the lead character, Jin Kazama – played adequately by Jon Foo (with vibes of Justin Chatwin from Dragonball Evolution the year before, or Michael J Fox from Back To The Future) – is constantly evading law enforcement just to put good food on the table.

When Jin’s mother dies, about 20 minutes in, and he enters the Iron Fist tournament in the Tekken estate that rules America in this dystopian world, the movie starts to come alive. In his trial to become the people’s champ, he fights Marshall Law (played by MMA champion turned moviestar Cung Le). In this bout we see many classic movies from the Tekken video game series, both on Jin Kazama’s side and on Martial Law’s side.

Naturally, people who used to play the Tekken game are going to be more into this movie than those who didn’t, and I used to be pretty good at Tekken 3 back in the day, but I quit playing PlayStation games when I became an adult! As a teenager and a master of fighting in Tekken I used to think how my life would be so much better if all the time spent mastering Tekken were spent mastering martial arts moves in real life instead. I did eventually get very good at martial arts in real life and I don’t have any regrets about quitting the PlayStation in my late teens – if anything, I should have quit computer games altogether including PC games which I wasted a lot of time on in my 20s & 30s. These days, in an effort to make better use of my time, I limit my gaming to a little bit of simple, timeless, non-addictive games like Chess (especially the Crazyhouse variant), and even Chess can be a waste of time according to arguably the most talented player of all time, Paul Morphy, who quit the game at an early age after famously saying something like “the ability to play chess is the sign of a gentleman; the ability to play chess well is the sign of a wasted life”.

Anyway, back to the Tekken movie. The fight scene energy is generally pretty good on top of being quite true to the characters’ signature moves in the game.

I haven’t generally been a fan of Luke Goss in the lead role of action movies – he just don’t seem convincing enough – but his role here as Jin’s old-school street-smart manager suits him very well.

If not for its extremely simplistic plot, and its generally mediocre level of actors, this movie could have easily been several levels better, but as it stands, it rate it Bang Average, and that’s even a bit generous considering its poor rewatchability until you’ve almost completely forgotten how it goes.

Cary-Hiroyuki Tagawa does a decent job as Heihachi Mishima, leader of the Tekken empire until his son steals the throne, and his son Kazuya Mishima is played quite well by Ian Anthony Dale.

The lead female, Christie Monteiro, with whom Jin gets quite close, is played by the pretty but butch Kelly Overton who based on her physique, appearance, dress style and demeanor, I’d have guessed had a background in pro (pretend) wrestling. She’s not a bad actress and in terms of star power she’s probably a good match for Jon Foo, if not a little overpowering.

Sequel

If you enjoyed this movie, don’t miss its only sequel, Tekken II: Kazuya’s Revenge (2014) which is a different kind of action movie altogether, but still quite enjoyable if you’ve not seen it before or don’t remember how it goes.